Ritani Blog

May 24, 2013

Carey Mulligan’s style evolution: From schoolgirl shifts to androgynous minimalism

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Carey Mulligan seems to be the ‘It girl’ of the moment, but she’s one with substance. Currently in Cannes promoting two movies, The Great Gatsby and Inside Llewyn Davis, she’s been a recent regular on the red carpet – much to our delight.

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While promoting Never Let Me Go, Carey favored feminine, floaty dresses in warm colors. A Proenza Schouler pleated mustard tea dress with YSL pumps was a cute look that softened her short hair. Sunny yellow Bottega Veneta stripes – from their spring 2010 collection – were the perfect choice for a luncheon held in her honor by the Diamond Information Center.

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Eye-catching digital prints were another key element of Carey’s earlier red carpet looks. This beach print by Prada was lengthened and given a more demure design than what went down the runway. We also love the alternate version in earthy colors that she wore for a photo call at the 2010 Cannes festival.

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It was wonderful to see Carey championing UK designer talent. With these Christopher Kane and Erdem galaxy prints, Carey shows a playful but high fashion side to her developing style.

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The skater dress style – with a nipped in waist and flared skirt – works well for Carey, due to her elfin features and petite figure. These Prada and Miu Miu purple frocks were simple and immaculate.

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Just as easily, though, Carey can rock the edgier styles. These leather Christopher Kane and Prada dresses managed to project elegance thanks to lace and laser-cut details.

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Showing that a little black dress doesn’t have to be boring, Carey stepped out in 2010 in an Elie Saab black lace creation – finished with smoky eye-makeup and her trademark cropped blonde locks. She later paired the same peep-toe pumps with a halter-neck sequined number, for a similarly dramatic effect.

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Here are two of Carey’s most notable earlier looks, thanks to her award nominations for An Education. At the 2010 Oscars, she wore an iconic Prada design, embellished with tiny silverware. How cute is that? At the BAFTAs – where she scooped up Best Actress in a Leading Role – she wowed in this floral Vionnet number.

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At the 2012 Met Ball she was iridescent in a custom Prada metallic halter. The Italian fashion house has been a firm favorite of Carey’s over the years. Miuccia designed the costumes for Daisy Buchanan in The Great Gatsby, as well as Carey’s wedding dress that she wore to marry Marcus Mumford last summer.

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Recently, Carey has embraced a sleeker, minimalist approach to fashion. At this year’s punk Met Ball, she gave a subtle nod to the theme in this design from Alexander Wang’s first season at Balenciaga. She must have loved his collection because, only a few weeks later, she wore this jumpsuit at Cannes for the Gatsby photo call.

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She’s also been having something of a love affair with tuxes. At Tiffany’s Blue Book Ball she wore this unusual tuxedo cape by Victoria Beckham. With minimal makeup and diamond drop earrings, she struck a distinctive silhouette.

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Her favorite house for the androgynous style, however, seems to be Lanvin. The media has commented on her audacity for daring to wear the same suit twice (what a scandal!). But why not, when she looks so incredible? Whether it’s to distance herself from the very feminine Daisy Buchanan – or simply discovering her own style – we love that Carey’s carving out a striking look that’s all her own.

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The beauty of the black and white trend is that it can be incorporated into feminine looks too. In this Vionnet number worn at the Cannes screening of Inside Llewyn Davis she was fresh-faced and radiant. Can we also just say that Justin Timberlake may be the best accessory a girl can have on the red carpet?

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She’s not afraid to still don a bit of color, though. Besides the Lanvin red dress worn to the Tiffany party for The Great Gatsby – which was absolutely stunning – she’s also developed a penchant for navy shifts. She looked gorgeous, again in Balenciaga, for a Gatsby luncheon held at New York’s public library. A Chloe Fall/Winter 2013 dress finished with Louboutins was the perfect choice for a daytime appearance at Cannes.

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Carey is consistently on point in her style off the red carpet too. While the Prabal Gurung for Target party is technically a public appearance, we loved her leather-trimmed jacket from The Row, which toughened up a pink blush top. Cool accessories in black leather are a clear staple of hers.

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Pink blush hues occasionally feature in her more glamorous looks too; she hasn’t quite given up on color yet. This satin Dior number has been unfavorably likened to the dress Gwyneth Paltrow wore to collect her Oscar, but we think the superior fit and strong red lips set it apart. A Nina Ricci bustier with her trusted leather-trimmed peg pants brings an unexpected sexiness to the Sydney Gatsby premiere.

What do you think of Carey’s evolving style? Which outfits of hers do you love? Let us know in the comments!

May 22, 2013

Graduation Gift Ideas

Filed under: Diamond Jewelry — Tags: , , — Kirsty @ 1:31 pm

For students set to graduate, it’s an exciting time of year. There is a lot to look forward to, but right now it’s about celebrating the past few years and how much they’ve achieved. Along with the ceremony, there are many ways to celebrate; one of those is with the gift of jewelry. For many young women, a graduation gift is their first experience of owning diamonds. It’s a momentous occasion, with them entering the adult world and becoming independent. We should celebrate that, with something beautiful.

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Yellow Gold and Classic Sparkle are the Perfect Luxury Pairing. $325

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Sterling Silver and Pavé Diamonds Forever Linked in an Iconic Design. $250

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Our Anemone Diamond Studs in White Gold are a Playful Twist on a Classic. $425

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A Solitaire Pendant is a Gift of Elegant Sophistication. $595

zoom_transparent_EH7504DDSS_001_SHADOW_860x860 copyPavé Diamonds Embellish these Modern Sculpted Hoops. $150

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Three-Prong Martini Diamond Studs are a Sophisticated and Stylish Choice. $500

For more ideas, read our gift guide or browse our graduation gift page.

May 21, 2013

May 20, 2013

Red Carpet Style at the 2013 Billboard Music Awards

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The stars were out in full force for last night’s Billboard Music Awards. Attempting to look their most glamorous, there were varying levels of success. Chloe Moretz is always stylish, and rocks these little frocks. In Fendi dress and heels, she looked cute and fun. Taylor Swift ditched her usual nude full-length gowns for this fitted Zuhair Murad mini, for a look that’s a lot more interesting.

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Two young singers who truly took risks with their outfits were Miley Cyrus and Selena Gomez. Miley went for ‘harlequin chic’ in this Balmain jumpsuit, pulling it off with her usual panache. Selena opted for one of her favorites – Atelier Versace – with a fun and fresh white gown laced with neon.

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These women know exactly what styles suit them; high impact metallic gowns that reveal just the right amount of thigh. Jennifer Lopez chose Zuhair Murad and Christian Louboutin for an iridescent shine, while Kelly Rowland arrived in Rami Al Ali. Jennifer’s look was finished with Le Vian jewels.

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Jennifer Nettles was delicate in a light pink Georges Chakra. Completed by Norman Silverman jewels and a Swarovski bag, this look managed to be both bold and conventional. Shania Twain was similar in  Pavoni by Mikael D. A dove grey ruched gown, this is a style that’s been done many times before. Nevertheless, it is still stunningly beautiful.

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Several stars went for darker looks. Emmy Rossum was on point in a Zuhair Murad semi-sheer gown. We also loved her earrings and immaculate nude makeup.

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Hayden Panettiere opted for a nice but somewhat boring Halston Heritage dress – which, thanfully, she finished with gorgeous David Yurman jewels.

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Here are two ways not to do black. Sheer can be a hard line to tread, but showing your belly button – never right for an awards ceremony. Neither is showing your panties, incase you didn’t already know. Carly Rae Jepsen, Jennifer Morrison; take note.

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Continuing the black-and-inappropriate theme, we have Kesha. Is it inappropriate for Kesha to dress inappropriately? At this point, it seems like the most predictable thing in the world. Nevertheless, here she is not wearing any underwear with her Givenchy. The gorgeous Amber Rose shows us how to do black and flowy, in this classy Gucci number, paired with Tom Ford heels.

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And you can’t have an awards ceremony without some all-white ensembles. Alyssa Milano, we get what you’re trying to do with this Pucci number but it’s very 90s, and not in a good ‘90s-revival’ way. Kimberly Perry always looks ethereal, and last night was no exception.

What are your favorite and most hated looks from this year’s Billboard awards? Were you, like us, disappointed that Rihanna didn’t show up? Let us know in the comments!

May 17, 2013

The Great Gatsby: Daisy Buchanan’s Engagement Ring Style

Film Review The Great Gatsby

Has Daisy Buchanan’s engagement ring caught your attention? It’s certainly caught ours! The halo ring is absolutely stunning, and confirms the cushion cut diamond as one of our favorites. A cut that’s both timeless and vintage, it is a romantic shape that has a truly glamorous appeal.

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The Great Gatsby is set in what we now consider the Art Deco period. This was a time when fashion, jewelry and architecture were hugely influenced by geometric angles, luxurious materials, and bold color. Platinum jewelry was all the rage, as it enhanced those stunning diamonds. Daisy’s engagement ring, a cushion cut halo, features smaller diamonds around the center stone and all along the band.  She also wears it with a matching wedding band.

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A hybrid of the Old Mine and modern Round Brilliant cuts, the Cushion bridges classic and contemporary styles. This makes it a perfect choice for the 1920s, when American society was rapidly industrializing and booming economically. The characters’ conspicuous wealth and expensive taste are only a part of the story’s detail, but form a rich fabric in which Fitzgerald weaves his narrative of the American dream in free fall.

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French-set diamonds were an innovation of the early 20th century. Technological advances meant that diamonds could be set closer together than ever before, so that a continuous band of sparkle became the fashion of the time – signifying wealth and contemporary taste. A french-set halo amplifies the sparkle of a center diamond in a way that a solitaire setting does not.

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A matching french-set wedding band finishes Daisy’s cushion cut ring beautifully. French-set and micropavé diamonds set close together give the effect of endless diamonds with barely any platinum showing.

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A ‘V’ band with surprise diamonds adds further stylistic elements to the stunning cushion cut ring. Strong lines and angles are key artistic features of the Art Deco movement, with a ‘V’ shape bringing more focus to your cushion halo.

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You can see how the cushion cut diamond engagement ring complements other Art deco style jewelry. Chunky bracelets and pear-shaped diamonds are alternative ways to channel Art Deco luxury.

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A micropavé halo is another setting that brings diamonds even closer together, for an endless stream of brilliance. A surface of smaller diamonds that doesn’t have prongs means that the metal holding the diamonds together is almost invisible. A paved effect gives a diamond engagement ring an incredibly glamorous look.

Learn more about cushion cut diamonds, or explore art deco jewelry inspired by The Great Gatsby.

May 16, 2013

Zoe Saldana’s style: From ‘crossroads’ to red carpet couture

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With Star Trek Into Darkness released this week, it seems like we’ve been seeing Zoe Saldana absolutely everywhere. Not that that’s a bad thing; we love the star’s red carpet style.

She can pull off almost anything. She did, literally, for the June issue of Allure! The magazine controversially revealed Zoe’s weight on its cover, sparking a debate about Hollywood’s influence on women’s bodies. It seems the actress grabs attention wherever she goes – but we’d rather focus on her fearless fashion sense.

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Zoe pairs black and white for a combination that somehow seems fresh. Almost every celebrity is pairing the two tones right now, but Zoe does so with other details, so that the look is anything but dull. For the UK premiere of Star Trek, she chose a Vionnet sequined frock with billowing white skirt; classically finished with Tiffany & co. jewels, and red lips and manicure.

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That doesn’t mean Zoe shies away from color, though. Far from it, she confidently experiments with bold prints in eye-catching hues. Here she was in Berlin, promoting the sci-fi movie at the end of April. A Balmain dress paired with Louboutin heels, made for a stylish ensemble that had something of a futuristic flair about it.

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Rodarte are genius at creating grungy cobweb cardigans and ethereal gowns, but they don’t always translate so well to the red carpet. Usually their Hollywood incarnations are a bit more ‘put together’, and this look just doesn’t really work. We feel cold just looking at her!

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Sleek and clean lines tend to work better for Zoe. At the Mexican premiere for Star Trek she looked gorgeous in an Elie Saab jumpsuit, accessorized with Salvatore Ferragamo clutch and Jack Vartanian jewelry.

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Crop tops are a key trend this season and it’s great to see the star try the style. This Calvin Klein outfit offers something more beyond the usual tropical floral prints. The interesting harness details and pleated skirt are balanced in a classic gray, complemented with those blush Jimmy Choos.

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Relaxed styles also work for Zoe, because she balances them with complementary details. For the Independent Spirit Awards, she opted for a Dolce & Gabbana striped mid-length dress. With matching white manicure, Casadei pumps, and Piaget gold jewelry, it was a perfect example of how to dress for glamour and comfort.

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Channeling gothic glam, Saldana wowed in this Givenchy gown for the Vanity Fair Oscars party back in February. Look at that bling! In Neil Lane rings and drop earrings, she definitely showed Bradley Cooper what he was missing.

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Sheer black dresses are something of a favorite for the actress. Attending the 2012 CFDA awards, Zoe championed Prabal Gurung in his couture. Finished with Cartier jewels – and as Gurung’s date – she looked every inch the fashion icon.

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It’s no secret that Hollywood stars tend to work with stylists, but it’s still fascinating to learn how these fashion professionals then shape their personal style. Zoe credits her stylist, Petra Flannery – who also dresses Emma Stone, Mila Kunis and Claire Danes – with introducing her to incredible designers.

“Initially, Petra would tell me about designers, and I would go, ‘what?’ But I started learning about them and putting them on, and she created a little monster”.

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It’s not as if she’s new in the style stakes, however. We remember the first time we really noticed Saldana’s style, in Givenchy ombre at the 2010 Academy Awards. It’s not just the clothes that we love about her look though. Beyond her obvious beauty, it’s clear that she radiates confidence and always seems comfortable in her own skin. And that’s the best kind of style we can think of!

What do you think of Zoe Saldana’s style choices? And are you going to see the new Star Trek movie? Let us know in the comments!

May 15, 2013

The Great Gatsby opens Cannes Film Festival 2013

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The Great Gatsby opened the 66th Cannes Film Festival. So far, the movie has received mixed reviews – with Baz Luhrmann’s distinctive directorial style being a plus for some, while others think that it undermines the subtlety of the story. Nonetheless, everyone agrees that it’s a sumptuous offering, full of beauty and glamour. The style on display – both on the big screen and at the celebratory events – has been absolutely stunning, and is giving us some incredible inspiration for a chic summer ahead.

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Nicole Kidman is on the judge’s panel for this year’s festival, and certainly looked the part in this stunning Dior couture. A colorful, iridiscent floral print, expertly accessorized with neon pink Jimmy Choo pumps, this was a pristine look. Her hair, in a sleek bouffant, was so very chic.

cara Cara Delevingne dazzled in these Chopard diamonds, paired with a gothic Burberry gown in black lace. Finished with scarlet nails and a perfect red pout, this was a flawless red carpet look that allowed the model’s edgy style to shine through.

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Julianne Moore, star of The English Teacher, opted for Dior; unlike Nicole’s couture, however, this failed to wow. The mermaid tail was far from a fresh look, having been done to death in previous seasons – and the length of this one rather unflattering. Those Chopard jewels added some gorgeous sparkle, though.

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Georgia May Jagger is clearly so beautiful that she’d look amazing in a garbage bag. However, this Roberto Cavalli dress has something of a cheap feel to it. We love how perfectly her lipstick matches it, but that beaded embellishment is just not glamorous enough for this event.

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Does this woman age? Cindy Crawford looked stunning and art deco appropriate, in a Roberto Cavalli dress that somehow ran rings around Georgia May’s. The bejeweled neckline on this white gown was just so much more intricate – and the combination of white and gold brought a Gatsby-style luxury.

lanaLana del Rey, who contributed to the movie’s soundtrack, opted for a vintage style black and white gown, finished with Chopard ring and drop earrings. Her retro curls suited the look perfectly.

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Freida Pinto looked phenomenal in a Gucci pink halter-neck gown, finished with a colorful beaded waist belt. Freida’s style is always on point; we love that she braved the rain in such a summery ensemble.

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Isla Fisher, who plays the ill-fated Myrtle Wilson in The Great Gatsby, showed how to work red on the red carpet. Far from blending into the background, she stunned in this tulle Oscar de la Renta, complemented with a bright embellished choker. Some redheads tend to avoid wearing the hue, but Isla showed how show-stopping the combination can be.

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All eyes were drawn to Leonardo DiCaprio and Carey Mulligan, however. The pair, who star as Jay Gatsby and Daisy Buchanan, looked flawless as always. The combination of delicate blush Dior gown and bold red lip – finished with those gorgeous Tiffany & co. diamond drop earrings (worth $1.15 million!) and cuff – was an absolute winner.

What do you think of the red carpet looks at Cannes’ opening this year? Have you seen The Great Gatsby yet? Tell us what you think in the comments!

May 14, 2013

May 10, 2013

Kate Hudson’s style: From ‘Almost Famous’ to fashion icon

Kate Hudson is one of our favorite stars, both for her on-screen performances and sunny personality. We love her red carpet style because her personal taste shines through, for a look that’s individual and lovable. This doesn’t mean her style stays still, though. Here you can see how she’s gone from bohemian babe to sophisticated siren – all while being fresh, unique, and totally stunning.

That’s not to say that Kate hasn’t had her fair share of sartorial mistakes. As Goldie Hawn’s daughter, she grew up a famous name – with the tabloids documenting all of her style faux pas. For the 2001 Oscars she wore this Stella McCartney dress, topping many of the worst dressed lists in the process. The dress itself wasn’t even that bad, but those corkscrew curls aged the gorgeous Kate. Fast forward to 2013 and, again in blue, Kate absolutely wowed at the Tiffany Blue Book Ball. In the brand’s signature shade, she could not have looked more beautiful, expertly accessorizing with art deco jewelry.

Kate seems to love warm, golden tones that shimmer and sparkle. Not only do they flatter her skin tone, these shades convey pure Hollywood glamor in a way that appears relaxed and natural. Kate’s made a point over the years of wearing various metallic warm tones, with draping fits and matching accessories.

It’s clear that her expertise with picking out these pieces has developed over time. In the early 2000s she chose shorter dresses, pairing with garish accessories such as oversized flowers and frosted pink lips.

At the 2008 BAFTAs, Kate opted for a Dior gown with incredible shine. A gorgeous look that she managed to keep simple with minimal jewelry and sweeping fringe, this is emblematic of Kate’s fuss-free yet elegant style. At the 2011 Met Gala, Kate once again wore Stella McCartney – and this time, it was a hit. The halter neckline was a nod to the 70s style that she clearly loves.

Kate’s a big fan of hippie-inspired prints with free-flowing cuts. Voluminous silhouettes such as the Valentino and Balmain dresses she wore to the 2003 Golden Globes and 2008 SAG awards, respectively, really work for her. She looks happy and comfortable in them, and they complement her golden California-girl hair.

This sense of style may also explain why Kate looked so incredible at events when she was pregnant. That relaxed draping and fresh-faced glow translated well into maternity wear, giving Kate a seamless transition before and after the births of both of her children. In short, she managed to maintain her sense of individual style at a time when so much else was changing for her.

Art Deco old-school Hollywood is another of Kate’s key influences. With angular lines and geometric patterns, it’s a style that speaks to Kate’s tinsel town heritage and sense of glamour. With Oscar de la Renta’s mermaid silhouette and the quirky tassel detail on this John Galliano piece, worn to the 2008 Fool’s Gold premiere, Kate firmly embraced vintage style.

Here we see how Kate has kept this inspiration, but opted for better fits and intricate details. At the 2013 Elle Style Awards, she paired a geometric metallic clutch and a dress as red as the carpet. This can be a risky strategy, but it was such a perfect match that she looked completely in her element. Once more, friend Stella McCartney came through with a dress that suited her beautifully.

At this year’s Golden Globes, Kate again incorporated vintage motifs for a flawless effect. An Alexander McQueen dress that appeared to fit perfectly, Kate achieved that balance of unique and appropriate. We love that her clutch always complements the look, too.

We also admire Kate’s ability to look outstanding without the need for plunging necklines and revealing thigh-slits. A minimal sleek style such as this Emilio Pucci always looks great on the red carpet – the perfect combination of casual and sophisticated. At the White House Correspondents’ Dinner in 2012, Kate wore this purple sequined Jenny Packham gown and – despite being covered from head to toe – shone with dazzling style. Kate is an expert with sleek and structured designs, but also has a penchant for a unique print or iridescent gleam. She has the best of both worlds!

With Kate’s newest film – The Reluctant Fundamentalist - just released, we’re looking forward to seeing even more of her on the red carpet this year. What do you think of Kate Hudson’s style? Do you have a favorite look of hers? Let us know in the comments!

May 7, 2013

The Met Gala 2013: Punk – From Chaos to Couture

This year the Costume Institute Gala’s theme was Punk: From Chaos to Couture. It was great to see the stars taking risks and having a little fun with their style. Sarah Jessica Parker lived up to her reputation, in a Philip Treacy headdress, Giles Deacon dress, and custom Louboutin plaid boots. She said “I wanted to pay attention to the theme and embrace it”. She certainly succeeded. Christina Ricci paid homage to the grand dame of punk – Vivienne Westwood – in a signature plaid gown finished with fishnets.

Miley Cyrus wore a Marc Jacobs mesh dress, with her blonde crop spiked to mimic the punks of the 70s. Madonna – never one for restraint – showed up in a Givenchy blazer, incredible hardware, and bright pink pumps.

If anyone was hoping to see Anna Wintour sporting a green mohawk, they were disappointed. In her floral Chanel couture, she said “pink is punk”. We’re not sure we agree! Kim Kardashian also donned a floral dress by Riccardo Tisci, complete with bizarre gloves sewn into the dress. We’re usually big fans of the Givenchy designer, but this was a complete disaster – and judging by Kanye’s face, we’re not the only ones who think so.

Others nodded to the theme with subtler approaches. Cameron Diaz and Kristen Stewart, both dressed in Stella McCartney, were two examples. The golden spiked belt and oxblood lace were elegant ways of incorporating edge into high fashion.

Katy Perry and Beyonce went for similar angles – not quite punk, but definitely dramatic. Perry said she saw the medieval regal look on the runway at Dolce & Gabbana and fell in love with it. We think if anyone can pull this off, it’s her. Beyonce chose Givenchy, with vintage Versace influences for a smoldering effect.

Elle Fanning wore bright makeup that matched her Rodarte gown. Ginnifer Goodwin chose dramatic brows – reminiscent of Siouxsie Sioux.

January Jones couldn’t have looked less like Betty Draper. Emily Blunt was stunning, pairing her Carolina Herrera gothic gown with neon pink shadow.

Other stars celebrated different punk motifs. Metallic structured minis came in the form of Balmain – worn by Kate Bosworth – and Rachel Ray, on Stacy Keibler. Both looked gorgeous, as always.

Here the Brits show us how it’s done. Both Sienna Miller and Cara Delevingne rocked Burberry spikes with dramatic makeup. Cara commented that she had to leave at 4am for work, but was planning on “getting a tattoo after”. How punk.

This look from Nicole Richie definitely divided opinion – but then, wasn’t that the point? Her hair sprayed white was certainly a committed look, all the more admirable since she was in high street brand Topshop. Rooney Mara, co-chair of the event, wore Givenchy – a label she has a clear affinity with. A delicate, gothic look, accessorized with dark plum lips, made for an etheral vibe.

Other strong appearances included Anne Hathaway, in sheer Valentino and freshly bleached hair. It made a stark contrast from her feminine style on the awards scene in February. Jessica Alba didn’t exactly go all out with the punk theme, but still looked incredible in this Tory Burch metallic leather. We adored her Louboutin spiked clutch and serpent ear cuff.

It was definitely a strange theme for the gala this year. Many guests weren’t able to name one punk song during the pre-event interviews, and others didn’t try to dress in a punk way at all. Perhaps most tellingly, Vivienne Westwood was cut off as she attempted to make a political point about Bradley Manning, saying:

“When I did punk all those years ago, it was about the same thing – justice and trying to have a better world. I’ve got different methods nowadays.”

There was something incredibly poignant about them interrupting the Dame to go and talk to another star about their couture, without a trace of irony.

What did you think of the stars’ punk looks? Do you think the Costume Institute was right to choose this theme? Let us know in the comments!

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